Browsing Tag

Write Around the Murray

Festivaling

4 October 2023

My last post started with ‘I bloody love festivals’, and this one could start the same way. I really do. And I was recently at the wonderful Write Around the Murray, which I had long heard such good things about from author friends. They were absolutely right, it’s a cracker. The venues are gorgeous, the audiences were warm, the author line-up was fab, and everything was run so seamlessly by Director Ann-maree Ellis and her incredible team (particular shout out to Chris and photographer Pete, who is responsible for most of the photos here). To top it all off the weather was utter perfection and I could not have had a better time.

 

Opening night kicked off with yarnbombing from local Wiradjuri educator Ruth Davys, and a panel that I moderated with Paul Dalgarno, Gina Perry and Rijn Collins (who I also spoke with at Sorrento Writers Festival earlier this year). Our topic was ‘Mum’s the Word’. Interestingly, all three of the books have mothers who are absent in some way. All three also have brilliant plot twists which make it bloody hard – I so wanted to ask them questions that I couldn’t! Hard recommend on all three books as book club reads where all the spoilers can be discussed – A Country of Eternal Light (Dalgarno), My Father the Whale (Perry) and Fed to Red Birds (Collins).

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Saturday morning saw me up bright and early for an event for families at Lavington Library (where they have the loveliest staff who will make you tea and endlessly talk books with you), with my picture books Seree’s Story and Where the Heart Is. Next came Stereo Stories which was hands down the most fun I’ve ever had on stage. It’s such a cool format that Vin and his band have put together where authors read a memoir piece inspired by a song. The band weaves the song around the author’s words. As Chris Hammer once told me, ‘It’s like having your own backing band.’ And bloody hell, it was fun. Other performers included Debra Dank, Paul Dalgarno and Rijn Collins, who has performed at the most Stereo Stories of any writer.

It made me reflect, though, on how years ago, even the very thought of being on stage in this way would have left me with a feeling of utter dread. Several of my brothers were natural performers (I have five!), and for a time were actors or street performers. They loved an audience. I, on the other hand, avoided one. Public speaking was not something I ever voluntarily did. But then I started to get published, and I realised I was going to have to get comfortable with it. So, I pushed myself to do all the things. Eventually, I looked comfortable on stage. Looked being the operative word. But the more I did it, the more I enjoyed it. And now, I love it. Stereo Stories was a moment in time that made me realise how far I’ve come. To be on stage, making people laugh, and enjoying every second, is a world apart from how I once was.

Kate Mildenhall, Kathryn Heyman, me, TR (Tim) Napper

 

But I digress. Sunday’s final event for me was a panel moderated by Kate Mildenhall with Kathryn Heyman and Tim Napper. We talked about all things writing and publishing, and I’m sure we could have talked for the rest of the day, if not for a packed program! It was recorded for The First Time podcast, so look out for that one.

Kathryn and I discovered some weird synergies. When I was deciding on a title for The Breaking I googled it to see if anything came up. Nothing did. But a few months after The Breaking came out, another book appeared with that title. It was Kathyrn Heyman’s debut novel of 26 years earlier, previously published only in the UK, and now released all this time later in Australia. The weird bit, though, is that at the festival we discovered that both books started as a series of short stories, and we both had a friend who said to us, ‘I think you might be writing a novel.’ So two debuts with the same title, started in the same way. It seems Kathryn Heyman is my book twin!

As usual, one of the best bits of the festival was writerly hangs with brilliant people. Massive congrats to Anne-maree and her team on a stellar festival. Can’t wait until the next one!

TR Napper, Kate Mildenhall, Paul Dalgarno, Andrea Rowe, Margaret Hickey, and me

Festival bliss

15 May 2023

I bloody love festivals. Spending time with other writers – chatting with them onstage and off – is such a buzz. I always come away invigorated and buoyed up. I’m with my people – those who understand all the craziness of the publishing industry – and it is pure bliss. So I was absolutely delighted to be a part of the inaugural Sorrento Writers Festival, conveniently located in my ‘backyard’.

And what a festival it was. The unpredictable Naarm/Melbourne weather decided to play nice and we had glorious sunshine and big blue skies. The venues were all walking distance from each other, and every session that I attended was packed. It seems the peninsula has an avid reading population, though many came from further afield. The line-up of authors was ridiculously good – Christos Tsiolkas, Sarah Winman, Tom Keneally, Jane Harper, Marcia Langton, Craig Silvey and Chloe Hooper, to name but a few.

 

I moderated two panels and had the most fun. First up was Rijn Collins, who I have stalked on Instagram for some time, and Chris Hammer, an old Canberra mate. One of my favourite moments was when I asked Rijn about her writing rituals and she said, ‘Mine are very boring,’ then proceeded to describe how she wrote Fed to Red Birds with a tiny snake curled up inside her bra. So boring, right?

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Another fave was when I asked Chris about his highest high as a writer and he was brought to tears describing the bidding war for his debut novel, Scrublands, that changed his life. Afterwards he told me that he’s told that story plenty of times before and doesn’t know why in that moment it moved him so. I think the problem may be me, because on my second panel there were tears too. But when there is laughter and tears and all the feels I consider my job as moderator done!

Hilde Hinton, me, Pip Drysdale, Ramona Koval and Pirooz Jafari

My Sunday panel was the stellar line-up of Ramona Koval, Pip Drysdale, Pirooz Jafari and Hilde Hinton. It was a big panel to manage, but there was so much laughter and so many fascinating insights. I loved discovering that Hilde has to build Lego before a writing session (my son would approve) and that Pip has to effectively write in a cell – a place without windows or views, which right now is her garage. As a panellist and person, Ramona exudes such light and joy, and my fangirling rose another notch. Pirooz was such a wise and gracious presence and I loved that he was unable to name a lowest low as a writer – I ask this question on my podcast and he’s the first writer to ever say that there are no lows, only good things. It makes sense that having grown up in Iran, witnessing every human rights violation imaginable, publishing ‘lows’ mean nothing. It was a moment that put things into perspective for all of us.

Afterwards, Ramona Koval said the loveliest and most generous things about my skill as a moderator and I almost died on the spot. Having interviewed practically every author on the planet, praise could not come from a higher source! Totally made my festival.

Of the panels that I attended as audience member, my highlight was hearing Thomas Mayo recite the Uluru Statement from the Heart. It was such a potent and powerful experience, and an absolute privilege to be in the room. No photo I’m afraid because I was utterly spellbound.

 

I also popped into the gorgeous Antipodes bookshop to sign copies of Seree’s Story, and again into the onsite festival bookshop run by Avenue Bookshop to sign The Breaking (pictured with the wonderful Emily Westmoreland who also happens to be the genius behind Willy Lit Fest). Plus there were general author hangs to be enjoyed (clearly we were having a terrible time).

 

I’m delighted that the Sorrento Writers Festival will return next year, but in the meantime I’m looking forward to the aforementioned Willy Lit Fest where I will be in-conversation with the incredible Amelia Mellor, author of the bestselling The Grandest Bookshop in the World and The Booksellers Apprentice. And looking further ahead I’m doing a bunch of things at Write Around the Murray. It’ll be my first time there and I have heard only the very best things about that festival. Stay tuned!