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Most Underrated Book Award

A good year

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thesoundofsilencelargeTWO STEPS FORWARDLast Thursday the annual ACT Writing and Publishing Awards were held in the Mercure Hotel and I had two books shortlisted in two categories. The Sound of Silence for Nonfiction and Two Steps Forward for Fiction. Pretty nice, huh?

First up was the announcement of the Nonfiction Award. An anthology about miscarriage seemed an unlikely winner, but win it did. The judges said: ‘The Sound of Silence was the stand-out winner on every level. This book proved to be compellingly readable, boasted good production design and evidenced careful, respectful editing. Although neither of the judges initially expected to be taken by this volume, both ultimately found it absorbing and uplifting. The writing was of the highest quality and deserves a readership well beyond its niche market. In short: An inspirational book and a clear winner.’

Their assessment recognises so many aspects of the book. For me, editing The Sound of Silence was a privilege. Many of the 22 writers had not previously been published, but they worked with me through the lengthy editing process with such grace and enthusiasm. This award acknowledges their strength and courage in telling stories that will help others affected by miscarriage.

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Having collected my award (including a Paperchain Bookstore voucher that has already disappeared), it was straight onto the announcement of the fiction category. This time Two Steps Forward didn’t win, but the judges’ comments were generous nevertheless. They said: ‘A strong point of this anthology is the characters, who were beautifully drawn in a lyrical and evocative style. It would be interesting to see how this writer would develop characters over a longer work. The pace is well maintained, with each story engaging, fresh and avoiding sameness in plot, although the overall sadness is a hallmark. Each story is a complete experience on its own, and this writer has a distinctive, lyrical style that is a standout.’

Nigel Featherstone took out the award for his novella Fall on Me, and I couldn’t have ‘lost’ to a more lovely and deserving person. Inverted commas are necessary because nothing felt like losing that night; it was wins all round.

What with these awards, Two Steps Forward being shortlisted for SPUNC’s inaugural Most Underrated Book Award, and publication of The Invisible Thread, 2012 has been a good year. I think a celebratory glass of champagne is in order.

The winning and shortlisted authors (L-R): Fiona Hamer, Nigel Featherstone, Irma Gold, Tracey Hawkins, Hazel Hall, Ann Villiers. Photo courtesy of the ACT Writers Centre.
The winning and shortlisted authors (L-R): Fiona Hamer, Nigel Featherstone, Irma Gold, Tracey Hawkins, Hazel Hall, Ann Villiers. Photo courtesy of the ACT Writers Centre.

rating the underrated

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TWO STEPS FORWARDToday’s post is about some lovely news. Two Steps Forward has been shortlisted for the inaugural Most Underrated Book Award, and I’m pretty chuffed. As author Nigel Featherstone is fond of quoting, only one per cent of writing in Australia gets published. (I have no idea how this stat was arrived at but if Nigel’s quoting it it must be true.) That figure is enough to make one feel grateful just to get into print. So to then have your book recognised for an award, well it’s pretty nice.

The award has been established by SPUNC, the advocacy body for small and independent publishers, with the criteria being that books can’t have won any of the major awards. It’s the only book industry prize to award both the author and the publisher. And that’s important, because so often it’s the smaller publishers who are taking risks on authors and books they feel passionate about.

In truth, 99 per cent of books published by independents are underrated. Okay, I made that stat up, but if you look down the list of any of the major literary awards it’s always the big end of town that’s represented. Well-established and well-known authors by publishers with the big bucks. And yet, as SPUNC President, Emmett Stinson, notes: ‘Independent publishing plays an essential role in Australian culture. The vast majority of titles written by Australian authors are produced by small and independent publishers.’

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By my reckoning the probability that a book of short fiction can take out the gong is nil (I’d put money on The Cook to win) but it’s a thrill to be nominated, and I’m looking forward to a celebratory drink at the Gala Awards ceremony this week.

If you live in Melbourne Readings has 20 per cent off all the shortlisted titles during November. Why not buy all four (she cheekily suggests).

https://www.youtube.com/watch?v=3b2JI9tiJJs