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Short fiction

Launching in the time of COVID

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Launching a book into the world can be a strange and surreal experience at the best of times, but launching a book into a pandemic just got a whole lot stranger. Authors have been forced to adjust to new technologies and ways of engaging with readers, and reconcile themselves to the fact that events are now all via a screen. So I asked three authors how their recent book releases compare with their previous books — back when we were all naïve and thought pandemics belonged only in novels. Laura Elvery, Elizabeth Tan and Mirandi Riwoe share the best and the worst of their book babies going out during the time of COVID.

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Laura Elvery
In the week after Ordinary Matter came out, my sister and I drove to Brisbane bookshops following an itinerary my publicist had organised. I don’t remember doing this for my first book. It was new to head into a shop and try to non-awkwardly introduce myself. It was new to sign piles of books and try to note all the locations of stacks around the shop. And the whole time sanitising, sanitising, sanitising. (Also new was somebody at one of the shops saying, ‘Wouldn’t it be funny if you had COVID because then you would have taken down all the bookstores in town?’ INDEED! A good joke!)

Strangely, I felt both a little more armoured than I did with my first book (a thicker skin, no newborn baby strapped to my chest, less time on my hands now to fret) but also less armoured (turns out some people actually knew I’d written a book and were waiting for it). In late February 2018 I was about 38 weeks pregnant. The launch for Trick of the Light was this incredibly fun party with 100 people, and it was, for me, all about making it to the event in one piece. A week or so either side and I’d have to reschedule. Look at photos of me that night and I’m just beaming — I’d made it. One week later my son made it into the world too. I sat up in the hospital bed with a stack of copies that Avid Reader had sent along for signing, my baby asleep beside me.

The dance between character and place in fiction

Place is so important in fiction writing. It is more than just setting, more than just a space that characters inhabit. The way each of us views a place is different, filtered through our subjective experiences. And the way characters interact with the space around them can reveal so much about their interior lives. So, for me at least, place is intrinsic to story.

Usually the characters and their setting arrive in my imagination in tandem. They are already entwined. But occasionally the characters arrive in search of a home. Before I travelled to South Africa, I had a trio of characters playing in my head who I knew were destined for a short story. And on a trip to Boulders Beach, near Cape Point, I found the perfect space for them — a place that offered echoes for the things my characters were wrestling with.

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My brother and I took the train from Cape Town to Simon’s Town. It was the most glorious ride and the footage below gives you a glimpse of why.

From Simon’s Town we walked to Boulders Beach, which was swarming with tourists and penguins. I’m not a fan of tourist traps but it was worth battling through selfie sticks to see these cute little guys. African penguins look very similar to Magellanic penguins from South America, who feature in my next kids book, Where the Heart Is (June 2021), so it was extra special to see them sunning and squawking and swimming. We also smelt them, oh how we smelt them.

Canberra Writers Festival 2019

It’s festival season again and I chaired the first panel of the Canberra Writers Festival weekend. It sold out all 200 seats within two days of going on sale! How great is that?!

It was the largest panel that I’ve ever chaired, with six writers: Paul Daley, Marion Halligan, Tracey Hawkins, MP Andrew Leigh, Nicole Overall and Marg Wade. As chair, the challenge is always to ensure that everyone gets enough ‘air time’ and that the conversation flows seamlessly. With such a big panel that’s more of a challenge than ever, but the feedback from audience members was so overwhelmingly positive that I’m pretty sure we nailed it. And the panellists each brought such unique and interesting perspectives to the discussion.

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Marg Wade, Andrew Leigh, Marion Halligan and me

We were there to talk about our much-derided capital, using a new anthology, Capital Culture, in which we all have stories, as the springboard. I think it’s fair to say that few countries show as much contempt for their capital as Australia. Canberra bashing is a national pastime and the fact that journalists use ‘Canberra’ as a shorthand for federal parliament doesn’t help. (Paul Daley and Marion Halligan both spoke about being on a mission to change this.) It is often conceded that Canberra is indeed a liveable city, but it is not lovable. According to its detractors, it is a city without a soul.

Four launches and a festival…

…is much more fun than four weddings and a funeral.

The festival was the annual Flash Fiction Weekend, aimed at writers wanting to develop and hone their craft, held in the beautiful East Hotel. I had the pleasure of convening a panel on the writing process with superstars Graeme Simsion, Karen Viggers, Jack Heath and Susanne Gervay. I wish I could give you a sense of what we discussed but when I’m on a panel it’s always a bit of a blur afterwards, even when I’m the one asking the questions! So instead I give you writer Amanda McLeod via Twitter: ‘This panel was the business. I have many, many notes.’

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With fellow panellists Graeme Simsion, Susanne Gervay and Jack Heath

I also ran my workshop on editing flash fiction and was thrilled when one participant told the marvellous organiser, Suzanne Kiraly, that my workshop was worth the price of the festival ticket alone. That kind of feedback is always happy-making. (Thanks John!)

There were lots of short keynotes and I enjoyed them all. Graeme Simsion of Rosie Project fame was up first. He spoke about how writers need to devote as much time to learning their craft as a neurosurgeon would to learning theirs. What’s more ‘there are more jobs for neurosurgeons than there are for writers’, he noted. Graeme is a keen plotter and encourages all emerging writers to carefully outline their plot before beginning to write.

Literary adventures

This month I thought I’d bring you a newsy post about my latest literary adventures. First up, I had the absolute pleasure of chatting with two brilliant writers, Kate Mildenhall and Katherine Collette, for their new podcast, The First Time, which is launching in August. Katherine has recently signed her novel, The Helpline, and the podcast is part reality show, following Katherine’s journey through the publication process, and part masterclass as the pair interview writers about their experiences of publishing a book for the first time. It’s such a brilliant idea and I had way too much fun recording the podcast. The first ep comes out in August but in the meantime you can follow the podcast on Twitter and Insta.

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Later that night we met up again for an event hosted by the ACT Writers Centre in the Canberra Contemporary Art Space (CCAS). It was rainy and stupidly cold (please hurry up, spring) but CCAS was deliciously warm and there was a lovely audience waiting for us. With Jack Heath and Karen Viggers, we chatted about writing and publishing. Jack revealed that with his first advance (as a teenager!) he bought a pair of outrageous boots that he wore to school visits. Sadly, my first advance was swallowed by dull things, like bills. I suppose that’s what happens when you’re all grown up and sensible, but I’ve resolved to buy something indulgently wonderful with my next advance.

Following us were Rosanna Stevens who read a brilliant new essay that had us laughing and wincing, and Jacqueline de-Rose Ahern who spoke about the overwhelming experience of having her first picture book published. There was also a panel of visual artists talking about their processes which I found fascinating. I particularly loved Jodie Cunningham’s ‘Talking to the Tax Man About Poetry’ series which converts eight artists’ lives from stats into sculptures, examining the balance of time for creating art versus doing work that pays the bills. I’m sure all the writers in the room could relate to the struggle to reconcile the two.