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Festivaling

My last post started with ‘I bloody love festivals’, and this one could start the same way. I really do. And I was recently at the wonderful Write Around the Murray, which I had long heard such good things about from author friends. They were absolutely right, it’s a cracker. The venues are gorgeous, the audiences were warm, the author line-up was fab, and everything was run so seamlessly by Director Ann-maree Ellis and her incredible team (particular shout out to Chris and photographer Pete, who is responsible for most of the photos here). To top it all off the weather was utter perfection and I could not have had a better time.

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Opening night kicked off with yarnbombing from local Wiradjuri educator Ruth Davys, and a panel that I moderated with Paul Dalgarno, Gina Perry and Rijn Collins (who I also spoke with at Sorrento Writers Festival earlier this year). Our topic was ‘Mum’s the Word’. Interestingly, all three of the books have mothers who are absent in some way. All three also have brilliant plot twists which make it bloody hard – I so wanted to ask them questions that I couldn’t! Hard recommend on all three books as book club reads where all the spoilers can be discussed – A Country of Eternal Light (Dalgarno), My Father the Whale (Perry) and Fed to Red Birds (Collins).

Festival bliss

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I bloody love festivals. Spending time with other writers – chatting with them onstage and off – is such a buzz. I always come away invigorated and buoyed up. I’m with my people – those who understand all the craziness of the publishing industry – and it is pure bliss. So I was absolutely delighted to be a part of the inaugural Sorrento Writers Festival, conveniently located in my ‘backyard’.

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And what a festival it was. The unpredictable Naarm/Melbourne weather decided to play nice and we had glorious sunshine and big blue skies. The venues were all walking distance from each other, and every session that I attended was packed. It seems the peninsula has an avid reading population, though many came from further afield. The line-up of authors was ridiculously good – Christos Tsiolkas, Sarah Winman, Tom Keneally, Jane Harper, Marcia Langton, Craig Silvey and Chloe Hooper, to name but a few.

I moderated two panels and had the most fun. First up was Rijn Collins, who I have stalked on Instagram for some time, and Chris Hammer, an old Canberra mate. One of my favourite moments was when I asked Rijn about her writing rituals and she said, ‘Mine are very boring,’ then proceeded to describe how she wrote Fed to Red Birds with a tiny snake curled up inside her bra. So boring, right?

ACT Notable Awards

It was a glorious night at the ACT Notable Awards! In typical fashion I managed to go to the wrong venue (in my defence I went to where the gallery used to be for about 20 years, not realising it had moved) and arrived very late. Unfashionably so, one might say, given that the ceremony was already underway.

I had barely divested myself of my coat before I was called up for The Breaking, so I wasn’t quite sure what was going on! It turns out that I was Highly Commended (one step above shortlisting) in the Fiction category. What a thrill that was! This book still means so much to me, and over a year after its release it is such a joy to see it still out there in the world doing so well.

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But the celebrations weren’t over yet! I then won the Children’s category for my picture book Where the Heart Is. To be the only person shortlisted in two different categories was wonderful enough but to take out two awards was extremely happy-making. I love how big illustrator Susannah Crispe’s smile is! It says it all.

All the happenings

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It almost feels like we’re back to normal with events again, and it was so lovely to recently head over to gorgeous Western Australia for the Margaret River Readers and Writers Festival. I took a week beforehand to travel the coast from Bremer Bay to Margaret River and, my goodness, it is stunning! I knew that the beaches were all white sand and turquoise water but I didn’t realise that they were next-level stunning. World class, in fact. If anyone wants to hand me the job of WA publicist, I’m up for it! The weather was warm and we swam and hiked and explored and generally had the most glorious time.

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I finished up with a weekend at the festival where I interviewed a bunch of lovely people for my Secrets from the Green Room podcast as part of a special partnership with the festival. It was so great to be hanging with my literary tribe again! The first ep with Claire G. Coleman is up now and – like all our guests – she speaks with brutal honesty about the writing and publishing process.

Zooming through lockdown

Like half the country, the ACT is back in lockdown and this means that a bunch of my IRL bookish happenings shifted to Zoom. But one that was always intended for Zoom was F*CK COVID: An Online Literary Affair, organised by the dynamic team at the ACT Writers Centre.

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When the event was first proposed I remember thinking that online probably wasn’t necessary. Melbourne, Sydney and Canberra weren’t in lockdown — oh, how those days seem like a distant dream! But clearly the organisers are fortune tellers and this event ended up being the highlight of my locked-down weekend. Plus every time I typed ‘F*CK COVID’ it was like a fist punch of defiance.

The event sold out in three days. Then more tickets were released, and it quickly sold out again. I was on a panel with Mark Brandi, moderated by Nigel Featherstone, called ‘Hard truths; Risky fiction’, and what an absolute delight it was. Nigel was his usual magnificent and thoughtful self, expertly guiding the conversation, and Mark and I found so many synergies in our work and writing process.