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Irma

Picture book illustration: Dub Leffler

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If you’ve ever wondered what goes into the illustration process of a picture book, this is the post for you. Illustrator Dub Leffler is a descendant of the Bigambul people of South West Queensland and one of Australia’s most sought after children’s book illustrators. He has created 23 books and I’ve been fortunate enough to edit two of them — Sorry Day by Coral Vass (2018) and Strangers on Country by Kirsty Murray and Dave Hartley (out April 2020).

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In this interview he takes us behind the scenes on his creative process and gives us an insight into the publishing process, which is particularly invaluable for emerging picture book creators wanting to understand the nuts and bolts of it. I didn’t manage to get him to dish the dirt on working with the illusive Banksy (damn it) but he explains how new books have come to him through psychics and werewolves, how coffee and salt can be a medium for illustration, and what makes him want to illustrate an author’s manuscript.

Irma Gold: You are one of 13 kids, what was life like growing up? And did you spend a lot of time drawing?

Dub Leffler: Yes, it is a big family, however I didn’t grow up with my family due to being adopted at birth. Growing up in my adoptive family — who had five boys including myself — I always had time for drawing and did so quite frequently. I remember drawing a lot — before and after school, usually using spare pages in my school exercise books. I even made my own picture books using spare paper and dodgy staples.

Storyboard for Our Dreaming by Kirli Saunders

IG: What led you to illustrating children’s picture books?

DL: My mother went to a psychic and the psychic told her, ‘Your son, is going to write a book and he will travel overseas.’ A few months later, I moved back to Sydney and the following morning a lady came to the house I was renting to speak with my flatmate about working on children’s books. So it literally came to my doorstep. And the rest, as they say, is history.

IG: What does a typical day or week look like for you?

DL: A typical day for me is — drop daughter off at school, take dog for a jog and then work until 12 pm. Coffee break and then work again until about 2 pm. I often work late into the night/early morning too, because it is the quietest time. Going to bed between 1 am and 2 am is not uncommon.

The dance between character and place in fiction

Place is so important in fiction writing. It is more than just setting, more than just a space that characters inhabit. The way each of us views a place is different, filtered through our subjective experiences. And the way characters interact with the space around them can reveal so much about their interior lives. So, for me at least, place is intrinsic to story.

Usually the characters and their setting arrive in my imagination in tandem. They are already entwined. But occasionally the characters arrive in search of a home. Before I travelled to South Africa, I had a trio of characters playing in my head who I knew were destined for a short story. And on a trip to Boulders Beach, near Cape Point, I found the perfect space for them — a place that offered echoes for the things my characters were wrestling with.

Read More »The dance between character and place in fiction

My brother and I took the train from Cape Town to Simon’s Town. It was the most glorious ride and the footage below gives you a glimpse of why.

From Simon’s Town we walked to Boulders Beach, which was swarming with tourists and penguins. I’m not a fan of tourist traps but it was worth battling through selfie sticks to see these cute little guys. African penguins look very similar to Magellanic penguins from South America, who feature in my next kids book, Where the Heart Is (June 2021), so it was extra special to see them sunning and squawking and swimming. We also smelt them, oh how we smelt them.

Behind the story

Meanjin has just published a memoir piece that I wrote about my son, and it is the rawest and most personal piece of writing that I have ever published. ‘Untethered’ tells the story of how my 10 year old was discovered, by accident, to have an extremely rare and fatal asymptomatic congenital heart condition. So far as we know, he is the first person in Australia to be found alive with this condition. Usually children die, from the age of 10 onwards, while playing sport, having never known anything was wrong with their heart.

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I’m not going to retell the story here; the Meanjin piece does that. Instead I want to talk about the writing process. As with all memoir, this is only one slice of the story. One year captured in 6000 words. My first draft was 10,000 words but I knew no one would publish it. So I pared it right back, and the piece is better for it.

I took it to my writers group. One writer said it was the best thing I’d ever written. Another made the astute observation that this was really the story of my heart, as I faced my son’s mortality and dealt with the grief of potentially losing him. He was right, though I hadn’t realised it. If my son were to write his own story — and perhaps one day he will — it would be different.

Readers often assume that writing about traumatic experiences is cathartic. This wasn’t. I wrote much of it while we were actually going through it. Reliving each scene on the page was painful. As I wrote, shaping every sentence, I often cried.

Literary adventures — around Canberra and on to Iceland

Is anyone else hanging for the end of the year? I’m so madly busy right now and the pace isn’t going to let up until Christmas Day. It helps that I’m editing some incredible books which I’m so excited to see in print, but I’m also hanging out for the Christmas break when I can drink prosecco and eat mince pies and do very little other than laze about and read. Okay, so with three children that is probably going to remain an illusive fantasy, but a girl can dream.

Read More »Literary adventures — around Canberra and on to Iceland

Let’s stick with November for now which has offered up a few highlights of its own. First up was the annual celebration for the ACT Chief Minister’s Reading Challenge for which I am an ambassador.

Accepting a thank you gift from one of the Reading Challenge participants

It’s such a joy to be a part of this initiative which aims to transform kids into book addicts for life. The challenge asks them to read a minimum of 15 books but there is no set list — they can read whatever sparks their imagination. This is so important because with so many forms of entertainment competing for kids’ attention, we need to help them find the books that sing for them, the books whose worlds they won’t want to leave.

So it’s wonderful to hear about the Reading Challenge’s success stories. This year one of the standouts was a student from Holy Spirit Primary School who set himself the goal to read 1000 books over the six months of the challenge. He wasn’t previously a particularly avid reader but he smashed that 1000! I must say I’m a tad jealous. I manage about 100 novels a year — if only I could somehow claw back those luxury after-school hours of primary school again! I would only need a live-in chef, housekeeper, gardener and taxi driver to achieve this. Ah, there I go into fantasy land again.

Contracts, contracts, contracts!

Okay, there are actually only two new contracts but the rule of threes works better and, besides, excitement levels require it. Rejection is part of a writer’s staple diet, so when you have two big wins in the space of a week it’s time to splash champagne around like a rock star and happy dance everywhere.

Note: If you have children they will be embarrassed by said happy dance and will likely roll their eyes at you. What’s more, after picking my three kids up from school and telling them about book contract 1 their response was: ‘That’s cool, Mum. What’s for afternoon tea?’ Did not miss a beat.

Read More »Contracts, contracts, contracts!

Book contract 1!
So I’m thrilled to share with you, dear reader (who does not require me to provide afternoon tea), that I have been made an offer for my debut novel! I can’t give you a title yet as my working title will likely change. I care about this novel so deeply and I’m so glad that I’ll be able to share it with you soon. Well, not that soon. Publishing moves at a glacial pace, so it’ll be out August 2021. But when I finally have that book baby in my hands I can assure you that I will be drinking all the champagne (again — any excuse). And I will not be making afternoon tea.

Book contract 2!
Just a few days after the excitement of book contract 1, I received word that my fifth picture book, Where the Heart Is, had made it through acquisitions. It’s based on a true story that is so extraordinary that I began writing a first draft immediately after hearing it. The illustrator, Susannah Crispe, has her own personal experiences that link so incredibly to this story — there couldn’t be a more perfect person to partner with. More on all that closer to release because, again, it will be June 2021 before it’s sitting on bookshop shelves.