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Irma

Taking stories into schools

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Narrabundah
At Narabundah Early Learning Centre

I’ve just wrapped up three days packed with school visits for Megumi and the Bear. It has been exhausting but exhilarating. There’s nothing quite like reading to a roomful of kids so involved in the story their mouths are hanging open. Or hearing that your visit has left them so inspired they all started writing their own books. Or at the end of a session when the teacher says, ‘So who wants to be an author?’ and you’re met with a sea of hands.

Some highlights included a Kindy student asking me if I ‘sounded out my stories’. How gorgeous is that! And the Year 1 student who said, ‘I love your book. Can I have your phone number?’ Later she prompted, ‘Do you know your phone number? Because I really need to get it.’

But perhaps the most amusing moment occurred when a Year 3 student asked me when my first story was published. When I replied ‘1998’ the kids—all 100 of them—let out a collective ‘wooooah’. That was, like, back in the olden days! Later their teacher told me they had been planning to ask me what year I was born until she explained that would be rude. Lucky she headed them off. They may well have needed resuscitation.

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Then there are the moments that confirm how important it is for authors to go into schools. At Wanniassa Hills Primary a Year 2 student told me about the chapter book she is writing, adding sheepishly, ‘I don’t know where it’s going until I write it.’ I told her I’m exactly the same and that a famous author (Roger McDonald) once said to me that if you write knowing the ending it often doesn’t work (in his words, ‘it’s a dead hand’). The look on her face at receiving that validation just made my day.

At Palmerston Primary a Year 4 student told me about the series she has been writing and asked me how to find a publisher. She was articulate and determined. It was a great moment to be able to offer her both encouragement and advice. I may very well have just met a future author.

Megumi coverAnother pleasure is being asked questions that really make me think, or listening to the children’s thoughtful observations. For example, on the front cover Megumi and the Bear lie in the snow holding hands, making an ‘M’ shape. M for Megumi. I’d never noticed that before. But a seven-year-old at Narrabundah Early Childhood School did.

At Turner Primary I launched their Artists’ and Writers’ Festival with three sessions. The eight-day festival is playing host to an impressive line-up of artists, including bestselling writer Anthony Hill and cartoonist David Pope. Not surprisingly, the school was bursting with budding writers. When I told them about how I started writing books at home when I was six, they got very excited and told me about all the books they were writing. What a joy that was. I would love to see more primary schools developing similar programs that allow kids to engage with books and reading in such a dynamic way. The best learning happens when everyone’s having so much fun it doesn’t feel like ‘learning’ at all.

I could keep raving about what a wonderful time I’ve had these past few days but I’m going to finish with this. A Kindy student who came up to me at the end of my session and said, ‘I LOVE your story’ and threw her arms around me. It doesn’t get better than that.

The Megumi and the Bear drawing competition is now underway. Download the sheet here for your child’s chance to win one of eight prizes, including teddy bears, books, a tea party for four, a baking pack, and book vouchers. Craig Phillips will be judging the competition with me. Entries close Friday 6 September.

To agent or not to agent?

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Marion Halligan, Jackie French and Mary Cunnane
Marion Halligan, Jackie French and Mary Cunnane

I’ve been meaning to write about agents after recording a podcast for Kill Your Darlings journal some weeks ago, but with the release of Megumi and the Bear I haven’t managed to find the time. I promised myself that I wouldn’t upload the podcast until I could write about everything I left out for the sake of brevity but, frankly, that might never happen. So instead let me offer a few thoughts and say that if you’re a writer thinking about getting an agent, this is the podcast for you.

I had the pleasure of interviewing one of Australia’s most experienced agents, Mary Cunnane, and respected authors Jackie French and Marion Halligan, who have opposing views on the value of agents. Jackie only had an agent for two months early in her career and the experience was a negative one. After advice from fellow authors, she decided to represent her own interests. Marion Halligan, on the other hand, has had the same agent for her entire career and swears by her.

One of the issues we discussed was the perils of an agent securing a large advance. All three of my interviewees had some fascinating experiences to share, with Jackie and Marion agreeing about the dangers inherent in accepting a large sum. However, I also want to refer you to this article by Chip MacGregor that Mary Cunnane directed me to. It eloquently makes Mary’s point that an unearned advance doesn’t necessarily equal a loss for the publisher. It’s a clear and compelling argument, though it doesn’t necessarily alter the perception of a book that hasn’t earned out its advance, and the way that might impact an author’s career.

Read More »To agent or not to agent?

The reality, however, is that very few authors are in the position of worrying about whether their advance is too large. In the podcast we discuss a range of other matters, including what an agent does, how to secure an agent, how to distinguish the good from the bad, the pros and cons of having an agent, and the ins and outs of contracts.

Authors often share their agent ‘horror stories’ but as Marion says, the thing is to get a good one. Easier said than done, of course. It’s common knowledge that these days it’s harder to get an agent than it is to get a publisher.

Given her extensive experience Mary Cunnane is undoubtedly one of the ‘good ones’. Having interviewed Mary and had the pleasure of listening to her speak at a Canberra Small Press Network gathering, it is evident that she loves what she does and is a strong advocate for her authors. So it seems appropriate to finish with her response to my question about what she most enjoys about her job: ‘It’s endlessly surprising … You just never know what’s going to come up. It’s fascinating. It’s exciting … It’s a great intellectual journey and its fun and a challenge … And books can change things. I really still think that.’

On that encouraging note, you can listen to the podcast below. It was first published on Kill Your Darlings’ website here.

Megumi and the Bear Sydney launch

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On a foggy Saturday morning with Canberra due to reach just eight degrees we packed our kids into the car and headed for Sydney and its positively balmy 21 degrees. Some three hours later we rolled into the CBD. My bloke managed to drive up a bus-only road but then scored a street-side park just around the corner from Kinokuniya. A miracle frankly, or, if I was superstitious, a sign that it was going to be a good day. I’m not, but it certainly was.

AAIMG_0357As Allyx from Kinokuniya said when introducing us, it’s not often that you get both the author and illustrator in the same room. Especially given that Craig (once a Sydney-sider) now lives in New Zealand, and I’m down the highway in Canberra.

Craig kicked things off by talking about the back story. If you haven’t heard about Megumi and the Bear’s long and strange road to publication you can read about it in The Canberra Times here. I followed up with a reading of the book (a lovely hush descended over the room).

Read More »Megumi and the Bear Sydney launch

Irma Gold_Megumi and the Bear launchAnd then Craig gave a show and tell that revealed the evolution of the artwork. Craig explained that the original bear (pictured below) was based on his friend, Zimzam, who had a mohawk. When Walker accepted the book for publication they asked Craig to make the bear more realistic. Needless to say Zimzam wasn’t pleased, but Craig was glad Walker made the call. I love our final (terribly sweet) bear but I still feel attached to his endearing teddy-like predecessor who inspired my story.

Then it was time for a tandem book signing. It’s always fun meeting readers and my favourite moment was writing a dedication to a baby born that very morning. I even got to see a snap of the gorgeous little man.

While the parents queued and we signed, the kids got busy with craft, making bear masks and decorating bear biscuits and cupcakes. Most of the kids used the technique my six-year-old self would have employed – cramming on as much icing and as many silver balls as possible. I’m sure my two-year-old son consumed more sugar in that one hour than in his lifetime thus far.

And that’s a wrap! My two older kids declared it ‘the best launch ever’, though truth be told they said that about the Megumi Canberra launch and will probably say it about whatever book launch we go to next. Afterall, what’s not to love about books and food and fun?

Special thanks must go to my bloke who did a damn good job of snapping these pics while wrangling our sugar-high, sleep-deprived toddler. And to all the sponsors who donated items for the launch to help make it such a special occasion: National Library of Australia, The Teddy Bear Shop (Canberra), Walker Books, Kinokuniya Bookstore, and The Art of Teddy Bears.

For lots more photos of all the Sydney launch shenanigans head to my Facebook page.

12 curly questions

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Kids’ Book Review recently interviewed me for their 12 Curly Questions series. I had a lot of fun, and revealed a few secrets along the way.

1. Tell us something hardly anyone knows about you.
When I was 14 and on tour with a children’s choir in Los Angeles, I was in a house fire. I was staying with a billet who left me and a fellow chorister for dead. We escaped past exploding doors. It was like something out of an action flick.

2. What is your nickname?
Cheebles was my Dad’s favourite when I was young (no clue why). These days Irms is the more appropriate but terribly boring nickname of choice.

3. What is your greatest fear?
Heights. You could offer me a million dollars to jump out of a plane and I wouldn’t do it. Seriously.

4. Describe your writing style in ten words. 
I’m all about stories with heart, rhythm, and lyrical sentences.

5. Tell us five positive words that describe you as a writer.
Creative, sloooow, determined, joyous, diligent-deadline-meeter (what? that’s not a word? you’re kidding me?)

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6. What book character would you be, and why?
Silky in the Magic Faraway Tree. As a child I was convinced that Enid Blyton’s tree really existed, and one day I would find it.

Our late friend Hanafi Hayes' impression of the debacle
Our late friend Hanafi Hayes’ impression of the debacle

7. If you could time travel, what year would you go to and why?
I’d go back to 1995, when I was living in England with my then boyfriend (now husband), and tuck my British passport into my suitcase. For his birthday I surprised him with a weekend trip to Paris. Only in my absent-mindedness I packed my Australian passport. The real surprise was that we spent the night in a detention centre lock-up in Dover because they had nowhere else to put us. Not quite what I had in mind.

8. What would your ten-year-old self say to you now?
Damn it, you never figured out how to fly. But how the hell did you become a published writer? That seemed more impossible than flight.

9. Who is your greatest influence?
My parents. They taught me to believe in myself, discover what I loved, and chase it. So here I am. Chasing.

10. What/who made you start writing?
I’ve been writing ever since I can remember. My most prolific year was possibly aged seven. Among other works of literary genius, I recall researching, writing and illustrating The Big Book of Birds, savaging my mum’s magazines to produce expositions on British royalty, and writing a derivative fairy book with too many chapters because I couldn’t work out how to end the damn thing.

11. What is your favourite word and why?
As a teenager I read the dictionary cover to cover and recorded words I loved for future use. (Yes, I was a total nerd.) I became obsessed with the word ululation because of its onomatopoeic quality and a misplaced belief that it made me sound intelligent and poetic. I managed to find a way to slip it into pretty much everything I wrote. Consequently it is now a word that makes me shudder. A favourite word gone bad.

12. If you could only read one book for the rest of your life, what would it be?
That’s too depressing to even contemplate. My idea of torture.

This interview was first published on Kids’ Book Review here.